cinemedia: journal of the sfsu school of cinema
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5.5 | All the Colors of the Affect
5 | Connections, Proximities, Mediations
4 | The Allure of the Image
3 | Memory in a Digital Age
2 | Live!
- About Cinemedia
- 5.5 | All the Colors of the Affect
- 5 | Connections, Proximities, Mediations
- 3rd Party
- An Aesthetic of Anxiety (Meek’s Cutoff and Neo-neorealism in the Wake of Financial Crisis)
- All the Colors of Lady Avengers
- Before I Let Go: How Black Vloggers Imagine Black Futures for Their Children
- e-Public Sphere
- Heart Whispers
- Hong Kong’s Battle on Screen
- I am ready _
- Jon Bois, and the Aesthetics and Potentialities of Posthuman Documentaries
- Marker’s Time Machine
- Misleading Proximity and Audiovisual (Un)Balance in Roma
- Nomenclature 27b/6
- The Otaku Database
- The Overtones in Film
- Tarots of History
- 4 | The Allure of the Image
- Abject Divas: The Allure of the Monstrous-Feminine
- Affect and the Art of Political Campaigning
- Allure and Dissonance
- Allure in Cinema: Magical Flight
- Bisexual Allure in Cinemedia
- Digital Identity Assemblage
- 8-Bit Silver Screen: The Allure of the Video Game Movie
- Escaping the Gaze
- Feminism in Jennifer’s Body
- Omae Wa Mou Shindeiru
- Redefining Body Genres
- 3 | Memory in a Digital Age
- Animated Memory
- Chasing Memories
- Coming of Age in the 1980s
- Don’t Pay the Ferryman! The Katabatic Journey of the Modern Orpheus
- The Film Viewing Experience
- Fragments
- Memory in the Films of Wong Kar-wai
- Random Access Misery
- Textile Memory
- Shared Memory
- Twin Peaks: Cultural Memory and Female Agency
- Vaporwave : Aesthetics of Memory and Nostalgia of An Artificially Constructed Time and Space
- 2 | Live!
- (a) live
- “Dying will not be our living legacy”: Violence, Racial Pornography, and Black Healing
- The “Gaze” & Live Stream Sex Shows
- LIVE Spectacle
- Mechanic of Death
- Mukbang: The Internet, Live Entertainment, and Parasocial Interaction
- Nihilism in the Films of Bela Tarr
- The Performance of Documentary
- Ugandan Knuckles and the Death of the Author in the Age of Internet Memes
- 1 | Cinema of Distraction
An alluring intrigue emanates from these digital cyberpunk spaces inside their melancholic aura. There is a certain beauty within the loneliness of the vivid crowded urban space. Everything seems to fade as time gets lost inside the tides of the never-ending nights. Philip K. Dick ponders in Galactic Pot-Healer, “No structure, even an artificial one, enjoys the process of entropy. It is the ultimate fate of everything, and everything resists it.” (pg.103) Layers of distant memories resonate from the brimming bars and shops; effulgent against the night. The only means of escape is to descend deeper into the labyrinths of concrete. The allure of these metropolis extends throughout the digital space like the endless sprawl of these cyberpunk cityscapes. The fading neon light flickers through the incessant rain... This visualization of these Cyberpunk territories is developed through the conception of digital art, games, and ambient soundtracks. Enthusiasts of these works have formed internet communities that are centered around creating and exploring these forlorn digital spaces.
During the early years of modern computing engineers, programmers and computer scientists were among the few groups of people able to access these newly minted machines. Due to their high costs and massive size large corporations, government intitutions and research universities were typically the only places where these machines were found. However, even during these early years of computer technology a numbr of motivated researchers saw the potential in creating games for these devices. While most of these games would not see a larger audience they would lay the foundation for future advancements in electronic gaming in the decades to come.
Overtones In Film Movie
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— R Λ Z Ξ R (@Razer) January 28, 2018
